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Declan Konesky

3/3/2017

 
For multi-talented local artist Declan Konesky, stoner metal band The Sword serves as one of the main sources of inspiration for his work. The other?
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“Swans,” he says. “They’re perfectly up my alley. They’re mind blowingly loud and noisy, heavy and insane, delicate and artsy. They’re everything I aspire to portray.”
Although he boasts a Bachelor of Fine Arts in painting and drawing, Konesky didn’t always see the value of higher education. After failing out of college, he was selling paintings out of the Antique Market in 2010 and working on commissions when he realized that he could use education to further his intended artistic career.

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I mean this very seriously, to any other artists who might read this,” he says. “I got lucky my family is very supportive, but if you want to be a better artist, take advantage of that education. Your degree doesn't mean much to other people, so you have to make the most of that education. Those are two different things, degrees and education. Educate yourself. Soak it all up. Everything you can. If you're doing it right, you'll find a use for all of it. DIY motherfuckers.”
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Fast forward to the present: Konesky has been working on a 128-page graphic novel titled “Illuminatty Ice,” his first book that he considers largely to be a labor of love.


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Tell us about your upcoming graphic novel?
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This particular story started title first. I like to think the title speaks for itself, but it is a combination of Illuminati and Natty Ice. This evolved into a sort of “Legion of Doom” meets” It's Always Sunny in Philadelphia” story based on politicians and celebrities secretly working to make Doctor Doompf the president (Donald Trump/Drumpf meets the super villain Doctor Doom).  I call it a faux epic parody and absurdist dark humor story because it has a whole lot of elements to it, but the main point is for the story to just feel absurd and ridiculous.
Writing, penciling, inking, coloring, editing, lettering, the whole thing, has really been an effort. Since this is my first book, naturally, it has been all for free and without any guarantees of publishing. But it will pay off one way or another!
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What drove you to create “Illuminatty Ice”?

I quickly learned what it meant to work full time as an artist. You have at least 40 hours a week to fill. Long story short, comics and graphic novels (a love of mine) seemed attractive. You work 10 hours a day on one project, which is actually attractive to me. I created a year's worth of work for myself, entirely based off of several passions of mine. So then, after several experiments and half started projects, I began coming up with story ideas. This is the one that stuck. I brainstormed with some friends about what “Illuminatty Ice” would be about and it started coming together.
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What else are you working on?
While I am working on finding a publisher for [the graphic novel], I am working on two more stories. One is the follow up to “Illuminatty Ice,” “Big League,” “Baby Hands,” and the other “Brohemoth Ultraprep,” which is an epic Brodessy. Besides that, I am making T-shirts and other merchandise for income as well as creating a workshop I can take on the road to teach.

Give us a timeline of your evolution as an artist.
Mom gave me a watercolor set when I was 8 and my dad gave me an acoustic. I doodled and drew manga and comics and wrote stories. I practiced guitar. Got more serious around 14 years old on both and worked on my actual painting chops and starting punk bands.

What helps you keep your creativity flowing?

I exercise constantly. It lets me keep the murder at bay and I can listen to my music. I also might be a little vain so I appreciate trying to look good. Beyond that, I really try to keep my fingers in as many outlets as possible. Is that the proper phrase? That sounds dangerous... Oh, speaking of danger, besides music and exercise, a lot of my inspiration comes from good old fashioned hanging out. I try to make note of conversations and jokes and themes that we all like, which translates quite naturally into my work.

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What helps you keep your creativity flowing?
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I exercise constantly. It lets me keep the murder at bay and I can listen to my music. I also might be a little vain so I appreciate trying to look good. Beyond that, I really try to keep my fingers in as many outlets as possible. Is that the proper phrase? That sounds dangerous... Oh, speaking of danger, besides music and exercise, a lot of my inspiration comes from good old fashioned hanging out. I try to make note of conversations and jokes and themes that we all like, which translates quite naturally into my work.

Do you ever experience artist’s block, and if so, how do you work through it?

NONSTOP. Fear is a big part of it. My mantra is to make bad work worse and then go fix it. Just jump in despite the fear. But when that is failing me, I just work on one of my other outlets and try to just make the leap with them. Besides fear, it's just exhaustion. I paint hundreds of paintings a year; take into account the hundred plus pages of a story, the sketches, all of it and then sometimes the block feels like a well-earned vacation. That is, until I look at my bank account and the bills being due and how my fridge still doesn't have any beer and there is an awesome show coming up. (Psycho Las Vegas... I already got my ticket and am trying to save for a plane ticket...)

How do you know if a piece is complete?
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At this point, I think my experience helps. That's about 18 or so years, a bachelor's in fine arts and 7 or so years of practical experience “in the field,” so to speak.  
Usually, I just have to let the piece go. Sit on it, if I have to, and let it stew and see how it strikes me later. Painting-wise, it's about a balance. It's like having the munchies or a craving, except instead of salt and spice it's color. But I try not to get bogged down in pickiness, which has now translated into my very own style - loose and abstract, and embracing an amount of “wrongness,”  if you will. I just let things be as they are; another nice Zen principle I got from watercolor. Rather than overworking, which is beneficial to understand, that sort of “get in and get out” practice is extremely important to my art making.

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Anything else you think is worth mentioning?

At this point, I think I have exhausted myself and just want to shamelessly self promote. Find me on Instagram @declankonesky and @illuminatty_ice for updates on everything I ever do, as well as my website declankonesky.com. You can get a sense of all the different things I do, where I will be and when as I move into doing more workshops and maybe traveling with my band (if you like noisey black/doom metal type stuff). Check out my buddy Deece at 1d4rounds.com every Friday for his webcomic. That dude is a big inspiration to me because [he is] one of a few people I know who gives me a run for being so tirelessly busy. Come by the Antique Market to see Steve Fiegenbaum's and my paintings, as well as 4P Studios, which I helped open, and That Place Coffee for exhibitions - I have one in August. I have to thank my mom, Staci Swider. We work together all the time, keeping each other sharp and focused. She just had a book published. Look her up. She is a bad ass. And thanks to Alexandria Levy for giving me this opportunity! Feels good.

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Wolf & Finch

2/3/2017

 
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A new gallery opened it’s doors at the end of January, lighting the streets of Broad, between 8th & 9th.

What makes this gallery different is their business by day, gallery by night aspect. Wolf & Finch primarily is an company that handles outside clients for their tech-base industry, but have decided to bring artists into their offices and raise more awareness of these exciting works.

Their first gallery opening featured Chadwick Tolley, an artists in resident for the past four years, and works by Chase Lanier and Jay Jacobs.
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The following piece is a work by Jay Jacobs and Brian McGrath that was an answer to research money spent by the city, showing that with only a few dollars, great outside work could be created and displayed.  The title, a sign that too much is invested, not enough put into action.
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Look for more soon from this exciting place on 859 Broad St.!

Wolf & Finch Facebook
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Wolf & Finch Website

Chadwick Tolley Artist Site

Leonard "Porkchop" Zimmerman

12/2/2016

 
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I cannot tell you what a thrill it was to sit down with the man known as “Porkchop” for Creases.  We’ve all seen his art dotting the landscape of Augusta’s  local scene, and he is well loved and received in the area.  Yet, it’s more than just the artwork, Leonard Zimmerman has always been a kind soul in my experiences, and while he is a person with trouble brewing within, it’s how he learned to harness this into a passion of making the most out of life, and teaching us all what it means to be “Happy”.

We sat down with our alcoholic Cherry Cola’s, and of course a bag of candy or two (as his sweet tooth is also well known to his followers) and discussed his experience with art, a bit about the recent documentary on his life, and a good deal about Christmas.

The following are excerpts from the complete interview, available on Archive.org.  There are five segments of the interview so please have a listen to learn more about this great artist.


You can listen to the complete interview below, or by visiting our page on Archive.org.
What are your favorite Christmas memories?

Fat Man’s Forrest, hands down!  Recently there was a movie that I was in... my dad had a super-8 camera and we found a whole roll of Fat Man’s videos.  To actually see this footage, it was like a “scratch and sniff” to my childhood.  You know how sense totally triggers stuff.  To see that and the animatronics and they had snowmen and Santa Clauses  that came out of chimneys or melted because  the had air being blown into them... That was the magic of Christmas.  I remember when I was a kid, downtown Augusta, instead of the nice wreaths with the white lights, everything was multicolored and plastic and big!  The  center recessed parking, the trees had blinking lights on them.  When you’re a kid everything is magic, as adults we understand the magic and it’s our job to carry that on to the kids.
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​How do you feel about your art and where you’re going with it?


Right now it’s kind of strange, I have not had the luxury of time.  I have four painting for Seeds that I only know what two are going to be.  I was originally going to do six, but with the film festivals and the move, all in the month of November, there was no way I could do six and everything else...  When I was at the Milwaukee film festival and we hung a show in a gallery during the festival.  [There] I spoke to some LGBT  high school students, and some came to the movie. I will never forget what one said to me, “you probably won’t remember this, I just wanted to tell you that you inspired us by what you said and by your movie tonight”. I looked at him and said “If I remember anything about this trip, is you coming up to me tonight and saying these words to me”. That’s one of the things this movie has opened up doors to, dealing with grief or loss, anything that starts you back to ground zero, if you can get up from that and keep on moving... that’s why this story had to be told.
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How would you describe your art to someone?

I describe my art as pop music. A pop song can say the most awful thing, in the prettiest candy coated way where you don’t even realize you seeing or hearing something that’s horrible sad.  It puts a nice shiny glossy candy coat on stuff.  A lot of the stuff I paint can be seen as really sad, however the way I present it, you don’t necessarily see that. To me, that’s the beauty of life, it’s both happy & sad.  It all goes hand in hand.  That’s the way I try to view art.

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What is your favorite artistic thing about Augusta?

With my love this city and from my childhood,  I.M. Pei’s glass toaster on top of the Lamar building.  The fact that we had a world renowned architect put a big freaking glass toaster on top of a building downtown... that is one of the strangest things.  I am very proud of what the Greater Augusta Art council did.  Twenty -six art on the box, suddenly there’s public art all over the place.
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What is your favorite Christmas Cartoon?

Oh that’s super easy, the Charlie Brown Christmas Special.  What I love about  that, when it got finished, they thought they had a piece of crap on their hands, and it is THE Christmas standard.  A little known fact about the special, you see at the beginning, right before the credits, you see them all skating and then Linus, his blanket gets grabbed by Snoopy and they’re spinning around.  Then they’re all getting dragged, and you see Linus fly off and you see Charlie Brown fly off.  Charlie hits a sign and you see “A Charlie Brown Christmas”, but where did  Linus go?  He hit a sign, that said "Coca-Cola", that was the original sponsor for the special... and I don't think I made that up.

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You can find Leonard Zimmerman online at the following:

Art of Porkchop
Seeds
Westobou Gallery
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Kenneth James Benson

11/4/2016

 
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If you’ve even been by the Book Tavern downtown, you’ve probably ran into Kenneth Benson every now and then.  If you’re involved in the arts at all, and been to an event, then you’ve certainly seen him around.  What I’ve seen more of is the art that he provides.  Usually with a literary twist, the characters he designs remind me of a time when child-like fantasy was still alive and well, and curling up with a good book is the greatest feeling in the world.  We at Creases were able to ask a few question, for all you book lovers out there.
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How did you get your start creating art?  Was it a person, or an event that inspired you?

I’ve been drawing since I was a kid and seemed to have a natural talent for it. I remember in elementary school I got in trouble for drawing in class and was sent to the principal office. There the principal called my mom at work but instead of scolding me over the phone to my mom, the principal praised my artist ability. It was very weird. To this day, my mom and I are still not sure if the call was suppose to be “Don’t draw in class again” or “Please keep drawing.”
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Who are your biggest inspirations currently in the art world?
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That list is pretty massive, but currently with how my style is translated into illustrations my first inspiration is Adventure Time by Pendleton Ward. I took a lot of cues from how Adventure Time was made and used that as my basis to create my unique style. Of course I’m big fans of Oliver Jeffers, Jon Klassen, and Ezra Keats, all who are illustrators and authors since this is what I do too.

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I think one of my favorite sets you’ve done are the illustration of artists for the Augusta area.  Would you discuss what brought this about, and how you found the inspiration for some or all of these?
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I was asked to participate in the Ride or Die show at Sky City with eleven other great artists. As the deadline drew near, I was struggling on what I wanted to do. One idea that I started with I soon realized that it would not been completed in time, this made me rethink what I was needing to do. That’s when it hit me to do a kind of Mad Max interpretation of my artist friends. Some characters I knew exactly what I wanted them to look like. Others I had to think a little about. I knew though that each artist needed to have some kind of vehicle and weapon.
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​Your work in the Book Tavern whose inclusion of the arts seems pretty extensive, there’s story times, sketch parties, and Art on the Box.  Could you explain what Book Tavern is trying to bring to the Augusta public?

David, the owner, really loves Augusta and wants it to succeed so having a store in the heart of it was his way encouraging the downtown to grow. As far as the art aspect, Jay Jacobs, an awesome local artist, had approached David about doing something in the store that combined art with books. What birthed from that was Art on the Box art shows. This would help give local artist another place to showcase their talent and connect them with the greater artists community. Secondly, this acted as an exercise for artists to take what they are already creating but now filter that through the perimeters of the art show. Typically, it would push artists to try something they haven't done before so that when they returned to their own artworks they have newer ideas to experiment with.
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Can we get a hint on what the next Art on the Box will be?

​Kurt Vonnegut. I leave it at that for now, but the submissions for Art on the Box will be happening soon.


​What are currently your favorite reads?

A book I keep going back to over and over is Creativity, Ink by Ed Catmull (Pixar’s Founder) and Amy Wallace. The book is a great tool for business, but for a creative that does storytelling it’s really a wealth of knowledge. Another local artist, Jason Walter, recommended that book to me.

Where can people find your work, currently, and are you planning on any shows soon?

I currently have pieces up at Buona Caffe on Central Avenue and Mod Ink Screen Printing and Design on Broad Street. You can also see most of my work for sale on my etsy page, and find me on my website, kennethjamesbenson.com, or on Facebook at Kenneth James Benson Illustration.

I am developing an upcoming show, but cannot share any details just yet.


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September Gallery Reviews

10/7/2016

 
Movements here in Augusta seems to come in waves.  Artistically, we’ll see an influx of great work that slowly begins to move out after much toil within the scene.  I do not understand why this city seems to stay in a vast shadow during these times.  We can claim it’s a lack of affection from the general public, or perhaps it’s a lack of notification of what is really happening.  Regardless,  Creases has covered many artist  for the last couple of years, and we see no end to it.  This past September, local galleries have proven this, and here is what you might have missed.

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The 600 block opened it’s doors for the Augusta University graduate show, which provided a very diverse and interesting show.  Some artist you’ve probably seen before, such as Eric Pastecki and possibly Rachel Love, but also some newer artist such as Theresa Christie (who’s painting used actual US currency), Jency George’s (using wood and etching prints), Margaret Hunt, Wesley Stewart (producer of fantastical geometric sculptures), and 
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Declan Konesky’s wild paintings on unusual mediums.  Many more were decorating the walls of 600, a wonderful place to visit simply because the architecture derives inspiration on it’s own.  This being a graduate display, I was able to learn of many artist that I had not found before, all from this area and all together for an excellent show.
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During the Art’s in the Hearts, while the booths line the street, you can find Augusta artist gathered outside the Book Tavern to continue the tradition of Artzilla.  This live art event carries on each year, allowing the public to view the group in the process of creation for the entirety of the weekend.
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This year had a couple of new faces creating great art, including Anna Patrick (who just had a gallery show for her exhibit “Hair”), but also favorites like Chris Murray, Jason Craig, Blaine Prescott, and Rich Menger.  Next year, be sure to visit this little booth and say hello, or maybe just hang around sipping on bubble tea while you enjoy the visions.
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I also made a stop at MOD INK during the festival, in the process of their grand opening, as well as an interesting art show.  The storefront was crowded by booths, and one could barely see a way into the place.
It was a hidden wonder for sure, with a wonderful collection of local artist, a great deal of whom have been featured in this zine, from Jason Walter, Jackie Mayo, and RuCu to name a few.  Also included in this show was Dr Von H with his Picasso like green martian creations, Ron Vaz with photography showing off an artistic eye with his depth sense of color and structural integrity, Chris Murray (same Artzilla artist) with his low-brow wonders, as well as an artist that has begun to show more frequently, Kenneth Benson, showing off his love of books and the wonder you find in them. ​
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​We may not have the name that other towns have, such as Savannah and Greenville, but what we have is heart.  From what I’ve always seen, it’s heart that wins out in the end.  Pay attention dear reader, you’re surrounded by it.  Now stop walking with your eyes shut and open them.  Go to an art show, go up to that artist and tell them that you appreciate what they do.  Because believe me, in the years to come what is going to matter more from what you invest in will be that art and the love that you’ve obtained from it.
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